BIOGRAPHIE
Pedro Lasch
Née en 1975 à Mexico, vit et travaille à Durham, Caroline du Nord, USA
Born in 1975 in Mexico, lives and works in Durham, North Carolina, USA
Expositions personnelles (sélection) / Selected Personal Exhibitions
2009 Pedro Lasch, galerieofmarseille, Marseille, France
Latino/a America, The New York & North Carolina Suites, Branch Gallery, Durham, NC, USA
Could You Please Restate Your Answer in the Form of a Question, a commissioned site-specific dance piece by choreographer Mark Dendy using Pedro Lasch’s Naturalizations masks, American Dance Festival, Durham Performing Arts Center, USA
Staging Citizenship, in conjunction with the 2009 Encuentro of the Hemispheric Institute of Performance and Politics, Museo de Arte, Universidad Nacional de Bogota, Bogota, Colombia
2008 Black Mirror / Espejo Negro: A Museum Installation by Pedro Lasch, Nasher Museum of Art, Durham,
NC, USA
Black Mirror / Espejo Negro: Three Projects by Pedro Lasch, LUXE Gallery, New York, USA
El Sur Comes South, with Guest Sonidero/DJ Groups & Los Artistas Collective, The Arts Center, Carrboro, NC, USA
Open Routines: Recent Works by Pedro Lasch, Queens Museum of Art, New York, USA
Expositions collectives / Selected Collective Exhibitions
2010 The social production of sound: Pedro Lasch guest project for ‘Sound Threshold’, The Showroom
London, UK
Art Work: A National Conversation / U.K. Edition, Cell Projects Space, London, U.K. A Temporary
Services Project
An Atlas of Radical Cartography, presented by Civic City, Whitespace Gallery, Zurich, Germany
2009 Pickpocket: An Unlisted Intervention for International Art Fairs, Events, and Biennials, Frieze Art Fair,
London, UK
Ghetto Biennale: A Salon des Refusés for the 21st Century, Port-Au-Prince, Haiti
Status Report, BRIC Rotunda Gallery, Brooklyn NY, USA
Volta5 - galerieofmarseille, Basel, Switzerland
Geneologías Transnacionales y Memorias Dis[locales], Bienal InteractivA, Merida, Mexico. Director: Raúl
Moarquech Ferrera-Balanquet. Curator: Miguel Rojas Zotelo
Caras Vemos, Corazones No Sabemos (Faces We See, Hearts We Do Not Know): The Human Landscape
of Mexican Migration to the United States, The Alameda Museum, San Antonio, Texas An Atlas, Casco.
Utrecht, Netherlands Evolution de l’Art (EdlA): L’invendable / The unsaleable, Jean-Philippe Convert,
Brussels, Belgium
2008 What Keeps Mankind Alive? and Continental Drift, Galerija Nova, Zagreb, Croatia. November 26 – 30,
2008. Curators: What, How, for Whom / WHW: Ivet Curlin, Ana Devic, Natasa Ilic, Sabina Sabolovic *
Caras Vemos, Corazones No Sabemos (Faces We See, Hearts We Do Not Know): The Human Landscape
of Mexican Migration to the United States. Fowler Museum of Art, UCLA, Los Angeles, CA. October 5 -
December 28, 2008 (see also 2006). Curator: Amelia Malagamba
Artist Archive: Beyond Boundaries – mapping currents for the 3rd Guangzhou Triennial, a satellite net project
to Farewell to Post-Colonialism: 3rd Guangzhou Triennial, People’s Republic of China. Curators: Stina
Edblom & Steven Lam, in collaboration with the Asia Art Archive (http://www.aaa.org.hk)
Caras Vemos, Corazones No Sabemos (Faces We See, Hearts We Do Not Know): The Human Landscape
of Mexican Migration to the United States. Haggerty Museum, WI. April 24 – July 13, 2008 (see also 2006).
Curator: Amelia Malagamba Eligible Traffic, Trinity University Art Gallery, San Antonio
TX. March 6th - April
5th, 2008. Curators: Steven Lam & Randy Wallace
An Atlas, exhibition toured in following locations in 2008: Skol Art Centre
Montreal, Canada
(June 20-July 2008) ; Gallery of Global Education Center at the University of North Carolina, Chapel Hill
& Golden Belt Arts in Durham, NC (September 23-October 18, 2008); Art Gallery of the College of New
Jersey
Ewing, NJ (October 29- December 2, 2008); Dowd Fine Art Gallery, SUNY Cortland
Cortland,
NY
(March 25-
May 6, 2008)
The Sanctuary for Independent Media
Troy, NY
(April 25-June 7, 2008); Redhouse Arts Center, Syracuse,
Y
(February 5- March 12, 2008); 2640, Baltimore, MD
(February 12- 22, 2008); Gallery 400, University of
Illinois/Chicago, IL November 28, 2007 - January 19, 2008), Curators: Lize Mogel and Alexis Bhagat
Beauty is in the Street, Bronx River Art Center, New York, NY. January 11 - February 16, 2008.
Curator: Gerry Beegan
Singular, LUXE Gallery, New York, NY. January 11 - February 9, 2008.
2007 Transitio 2007: International Festival of Electronic Arts & Transnational Communities (Mexico-US
Foundation), Centro Nacional de las Artes & Centro Cultural Lagunilla-Tepito-Peralvillo, Mexico City,
Mexico. October 19-20, 2007. Curators: Grace Quintanilla, Mariana Delgado & Marco Ramírez
Subcomandancia (Fran Ilich), Centro Arte Alameda, Mexico City, Mexico. October 19-20, 2007
The FM Ferry Experiment, Staten Island Ferry, New York, NY. September 14-29, 2007. Curators:
neuroTransmit ter (Valerie Tevere + Angel Nevarez)
All the Way, LUXE Gallery, New York, NY. September 6 - 30, 2007.
An Atlas, Exhibition tour confirmed for following locations in 2007: Gallery 400, University of
Illinois/Chicago, IL (November 28, 2007 - January 19, 2008); Los Angeles Contemporary Exhibitions
(LACE), Los Angeles, CA (September 26- October 28, 2007); Firehouse 13, Providence, RI (July 6- 15,
2007). Curators: Lize Mogel and Alexis Bhagat
Beauty is in the Street, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ. May 9 -
June 10, 2007. Also at Bronx River Art Center, NY, Spring 2008. Curator: Gerry Beegan
Promesas y Esperanzas del Siglo XXI. ‘El Gobierno del Cambio’ y el Éxodo Mexicano a los Estados
Unidos 2000-2006 (Promises and Hopes of the 21st Century: The ‘Government of Change’ and the
Mexican Exodus to the United States 2000-2006), The International Center in New York, Inc., April 17 –
May 20, 2007. Curator: Enrique González (Mano a Mano)
EdlA (Evolution de l’Art) Cesare Pietroiusti & SPACE- Priestor for Contemporary Art, Slovakia. March 21 -
April 22, 2007. Curators: Juraj Carny, Diana Majdakova, Cesare Pietroiusti and Lida Pribisova.
The Nightly News. LUXE Gallery, New York, NY. January 13 - February 10, 2007. Curators: Kathleen
Goncharov and Stefan Stoyanov.
Primitivism Revisited. Sean Kelly Gallery, New York, NY. December 15, 2006 - January 27, 2007. Curators:
Susan Vogel & PhD candidates from Columbia University.
2006 Civic Performance. Staller Art Gallery, Stony Brook, N.Y. November 1 – December 9, 2006. Curator:
Grady Gerbracht
Empathetic. Temple Gallery, Tyler School of Art, Philadelphia. November 8, 2006 – February 24, 2007
Curator: Elizabeth Thomas
Travesías, sueños y fronteras: Obra plástica de Miho Hagino, Diego Medina y Pedro Lasch. In coordination
with ‘3rd International Congress on Migration’, CIESAS Occidente. Gran Meliá, Mexico City, Mexico.
October 5-7, 2006. Curator: Sarahi Lay Trigo
The Last Chapter_Trace Route: Remapping Global Cities, Gwangju Biennial 2006. Biennale Hall, Gwangju
City, South Korea. September 8 - November 11, 2006. Curator: Jee-sook Beck *
Caras Vemos, Corazones No Sabemos (Faces We See, Hearts We Do Not Know): The Human Landscape
of Mexican Migration to the United States. Snite Museum of Art, Notre Dame, IN.
September 3 - November 12, 2006. Curator: Amelia Malagamba
Public Moment: Artist Forum International (AFI), Section: Justice, Collective Expectations, Collective
Potentials, INSA Art Space and various other locations, Seoul, South Korea. August 19 - September 9,
2006. Curator: Heejin Kim *
Propia Visión / Our Vision. Queens Museum of Art, New York. July 21 - September 17, 2006, Curators:
Enrique González and Emily Socolov (Mano a Mano)
10th International Festival of Video/Arte/Electrónica / 10mo Festival Internacional de
Video/Arte/Electrónica
(VAE10). Various locations, Lima, Peru. June 8 - July 8, 2006. Section curator: Yael Lepec
(Land(e)scaping
How do we want to be governed? V.1.0. CRIC Centre de réflexion sur l’image et ses
contextes and Ecole
Cantonal d’Art du Valais, Halle Carrosserie, Route de l’ancien Sierre 11, Sierre,
Switzerland. May – June,
2006. Curators: ONF and Yael Lepec
Propia Visión. The International Center in New York, Inc., New York. April 17 - May 11, 2006. Curators:
Enrique González and Emily Socolov
When Artists Say We. Artists Space, New York. March 8 - April 29, 2006. Curators: Christian Rattemeyer,
Andrea Geyer, Emily Jacir and Ayreen Anastas
2005 CounterCampus (Part IV of Cram Sessions Exhibition Series). Baltimore Museum of Art, Baltimore, ML.
Curator: Chris Gilbert *
The 2005 Monique Beudert Project. Royal College of Art, London. Curators: MA candidates from the
‘Curating Contemporary Art’ programme at the Royal College of Art, London. *
Response. Morlan Gallery, Transylvania University, Lexington, KY. Curator: Matt Distel *
The Post-Industrial Carnival. Flight 19, Union Station Baggage Building, Tampa, FL. Curator: Rozalinda
Borcila and Jeff Stover
Land(e)scaping. Agripas 12 Gallery, Jerusalem, Israel. Curator: Yael Lepek
The 2005 Juried Show. Contemporary Artists Center, North Adams, MA.
Jurors: Mark Dion and J. Morgan Puett
Borderhack 2005, Playas Tijuana, Tijuana, Mexico. Curator: Fran Ilich
Statements on the Mask (solo art action) Polvo Gallery. Chicago, IL., Organizers: Miguel Cortez and Daniel
Tucker Version>05 Invincible Desire (NFO Expo), Zhou B. Center, Chicago, IL. Curator: Edmar
Marszewski.* Patriot, The Contemporary Museum, Baltimore, MD. Curator: Cira Pascual Marquina.*
Solidarity Unlimited, Rum46, Aarhus, Denmark. Curators: Rum46 members.*
2004 Open Studio Exhibition at Bolivar 109, Mexico City. Three Projects: A Proposal for the Zocalo,
Naturalizations, Tianguis Transnacional.
The Interventionists, MASS MoCA, North Adams, MA. Curator: Nato Thompson*
Home Fronts (SENI: Art & the Contemporary), Singapore Art Museum, Singapore. Curator: Ahmad Mashadi
252 (site-specific commissioned work), Dublin, Ireland. Curator: Cliodhna Shaffrey (Project proposal
accepted, execution of work pending)
The Big Nothing, Mütter Museum, Philadelphia, PA. Curator: Tanya Leighton.
Social Capital, Whitney Museum of American Art, Independent Study Program Exhibition, Art Gallery of The
Graduate Center, CUNY, New York.* Curator: Leta Ming.
The Net of Two Tongues (La Red de Dos Lenguas), Queens Museum of Art, New York.
(In collaboration with Mexicanos Unidos de Queens & Asociación Tepeyac de NY)
2003 Go, Liquidación Total, Madrid, Spain. Curator: Sally Gutiérrez
24/7, Contemporary Art Center (CAC), Vilnius, Lithuania., Curator: Raimundas Malasauskas *
Artists’ Books, Baltic: The Centre for Contemporary Art, Gateshead, England. Curator: Martha Hellion
Get Rid of Yourself, ACC Gallery, Weimar and Stiftung Federkiel, Leipzig, Germany. Curator: Frank Motz *
Globalización, Cultura y Resistencia, Casa Lamm, Mexico City. Organizer: José Luis Paredes
Brewster 2003: a site-specific contemporary art event, Brewster, N.Y. Curator: Linda J. Park
Radiopolyphony, The Thing & Diapason Gallery, New York. (In collaboration with Paulo Vivacqua, Federico
Marulanda Rey, and Kelvin Park)
How Latitudes Become Form (Translocal Channel), Walker Art Center, Minneapolis, MN. Curator: Steve
Dietz, Wolfgang Staehle and The Thing (In collaboration with Paulo Vivacqua, Federico Marulanda Rey,
and Kelvin Park)
Inscribing the Temporal, Kunsthalle Exnergasse, Vienna, Austria. Curator: Sara Reisman *
2002 16Beaver LunchTime Series (10 monthly events), 16 Beaver Group, New York *
2001 Collaborative / MODE (AccessZONE 0.2), Bronx Museum, New York. Curator: Tana Hargest (Three
collaborations: 16Beaver Group, Asociación Tepeyac, and Frequency Response)
Borderhack 2.0, Playas Tijuana, Tijuana, Mexico. Curator: Fran Ilich
GroundZero:01, 129 Lafayette Street, New York. Curator: Erin Donnelly (In collaboration with Nomads
& Residents)
2000 not left unsaid: Closing the School of the Americas, ABC No Rio, New York. Curator: Stephen Englander
1999 Change of Address (With Adam Decroix), Houghton Gallery, Cooper Union, New York.
Publications d'artiste sélectionnées / Selected artist's publications
2009 Tanta Cerca Tan Cerquita”, in Delgado Mariana, Quintanilla Grace, Transitio 2007: International Festival of Electronic Arts & Transnational Communities, Mexico City: Centro Nacional de las Artes, Spring
2008 Tianguis Transnacional: Drifting and Indigenous Migrancy”, in Holmes Brian, 16Beaver Group, and What, How and for Whom (WHW: Curlin Ivet, Devic Ana, Ilic Natasa, Sabolovic Sabina), What Keeps Mankind Alive? and Continental Drift, Zagreb: WHW Newspapers, Issue #15, pp 20-21
Lasch Pedro with 16Beaver Group, “Iraq Questionnaire Answers”, in October Magazine, Cambridge: MIT Press, Winter, N°123, pp 149-160.
“666666: DUN LAOGHAIRE (36 signs and a Panorama)”, in Shaffrey Cliodhna, Carlisle Pier, Dublin:
The Arts Council of Ireland and the Dun Laoghaire Harbour Company
2007 “LATINO/A AMERICA”, in Bhagat Alexis, Mogel Lize, An Atlas of Radical Cartography, Los Angeles: Journal of Aesthetics and Protest Press, pp 77-80.
2006 “LATINO/A AMERICA”, in Mignolo Walter, Chukwudi Eze Emmanuel, Paget Henry,
Castro-Gómez Santiago, El color de la razón: racismo epistemológico y razón imperial, Argentina: Editorial Signo and Globalization; Durham: The Humanities Project, Duke University, Cauderno#3, cover & p2.
Lasch Pedro, “LATINO/A AMERICA”, in García Linera Alvaro, Mignolo Walter, Walsh Catherine, Interculturalidad, descolonización del estado y del conocimiento, Argentina: Editorial Signo and Globalization ; Durham: The Humanities Project, Duke University, Cauderno #2, cover & p2.
Lasch Pedro, “Justice for Three Voices: Two Real, One Imaginary”, in Ahn Kyunghwa, Journal BOL, Issue #4, Seoul, Republic of Korea, pp 212-234.
Lasch Pedro with 16Beaver Group, “Map of New ORDER Lines”, in Ahn Kyunghwa, Journal BOL, Issue #4, Seoul, Republic of Korea
Lasch Pedro with 16Beaver Group, “Between US: Exhibition Notes and Documentation”, in Hong-Hee Kim, Fever Variations: Gwangju Biennale 2006 Catalogue, Vol. II, Gwangju Biennale Foundation, pp 168-169.
Lasch Pedro, “Naturalizations”, in Malagamba Amelia, Caras Vemos, Corazones No Sabemos: Faces Seen, Hearts Unkown, Notre Dame: Snite Museum, University of Notre Dame, p 66
Lasch Pedro with 16Beaver Group, “Between US: Introduction,” in Hong-Hee Kim, Fever Variations: Gwangju Biennale 2006 Catalogue, Vol. I, Gwangju Biennale Foundation, pp 281-295.
Lasch Pedro, “LATINO/A AMERICA”, in Maldonado-Torres Nelson, Mignolo Walter, Schiwy Freya, (Des)Colonialidad del ser y el saber, Cauderno #1, Argentina: Editorial Signo and Globalization ; Durham: The Humanities Project, Duke University, cover & p2.
2005 “Una Propuesta Escultórica”, in Saber Ver, Segunda Época, 5:34, pp 38-39.
Lasch Pedro with 16Beaver Group, Act Patriot Act, Baltimore: The Contemporary Museum.
2004 “Naturalizations: Media Defacements”, in Rethinking Marxism, 16:4, pp 486-487 (as well as distributed throughout journal).
2003 Lasch Pedro with 16Beaver Group, “An Open Interview and Lunch”, in FUSE Magazine, special issue Democracies Improvised, 26:2, pp 12-13 (as well as Special Addendum).
2002 “La Mesa de Juego de Mendeleiev”, in Ciencias, n°65, Mexico City: U.N.A.M., p 76.
2000 “Un Arte que Nace, Crece, y si no se Reproduce... Muere”, in Longevidad: Ciencia y Cultura,
Jan-Mar, pp 108-116.
“El Pincel Eléctrico y el Cuadro de Plata,” in Ciencias, n°59, Mexico City: U.N.A.M., pp 76-77.
“Ciencia y Circo”, in Ciencias, n°57, Mexico City: U.N.A.M., pp 68-74.
1999 Lasch Pedro, “Una Propuesta Escultórica para el Zócalo”, in Curare: Espacio Crítico para las Artes, n°15, pp 89-95
Sélection d’articles, d’essais et de publications / Selected articles, essays, and publications
(TV, radio, and other non-printed media marked with *. Includes work with 16Beaver Group.)
2009 Harmon, Katharine, Cartography: Artists + Maps, Princeton Architectural Press
De Oto, Alejandro, Gordon, Lewis Ricardo, Mignolo, Walter, Wynter, Sylvia, La teoria politica en la encrucijada descolonial, Buenos Aires: ediciones del signo, Fall, cover & p2
2008 Cortes, Alejandro, “Por una sola minoría racial”, in Que Pasa Triangle, Raleigh, NC. October 9-15
Kingsley, Amy, “Not for Sale: Elm Street’s Elsewhere reinvents retail”, in YesWeekly.com, September 3
Natale, Michele, “Art Picks”, in The News & Observer, Raleigh, NC. August 29
Broili, Susan, “A Golden Belt art unveiling”, in The Herald-Sun, Durham, NC, August 15
Dagger, Jacob, “Confronting Sculpture”, in Duke Magazine, Volume 94, No.4, July-August
Greenberg, Blue, “At the Nasher, new life for an ancient collection”, in The Herald-Sun, Durham, NC,
June 22
Dewolfe, Stacey, “Radical mapping (A New World: By Pedro Lasch)”, in Montreal Mirror, Art this Week, June 19-25, vol 24 no 1
Cortes, Alejandro, “El arte siempre va con la política”, in Que Pasa Triangle, Raleigh, NC, Junio 12-18
Broili, Susan, “Exhibit combines art of two worlds in new statement”, in The Herald-Sun, Durham, NC,
June 7
Tucker, Daniel, “Space Discovery: A review of An Atlas of Radical Cartography”, in Proximity Magazine, May-Jun, p152
Debatty, Regine, “Book Review - An Atlas of Radical Cartography”, in www.we-make-money-not-art.com, April 12
Jovanovich, Alex, “An Atlas of Radical Cartography”, in Art Lies: A Contemporary Art Quarterly, Issue 57, Spring
Jaramillo, Paola, “Sonideros hacen historia en el Triángulo”, in La Conexión, Raleigh, NC, April 8
Corresponsal Sección Reven, “Exitoso Maratón Sonidero”, Qué Pasa Triangle, Raleigh NC, April 3-9
Natale, Michele, “Art Picks”, in The News & Observer, Raleigh, NC, March 14
2007 Lopez, Ruth, “Charting New Territory”, in Time Out Chicago, Issue 146, December 13-26
De Acosta, Alejandro, “Latino/a America: A Geophilosophy for Wanderers”, in Bhagat Alexis, Mogel Lize, An Atlas of Radical Cartography, Los Angeles: Journal of Aesthetics and Protest Press, pp 69-76
*Gordon, Dick, “The Blue Tarp School, Interview with Felipe Quiroz Gonzales & David Lynch”, (Translation Pedro Lasch), in The Story, American Public Radio,
December 4 http://thestory.org/archive/the_story_398_The_Blue_ Tarp_School.mp3/view
Jaramillo, Paola Andrea, “La Antorcha Guadalupana: Una luz que une fronteras”, in La Conección, Raleigh, NC, December 11
*Cusicanqui, José, “Entrevista sobre Antorcha Guadalupana”, in Que Pasa Radio, Raleigh, NC,
November 30
*Quintana, Sergio, “Race For Unity Spreads Immigration Message”, in NBC 17 News at 11- TV, Raleigh,
NC, Nov 30
Camper, Fred, “Galleries & Museums: Critic’s Choice”, in The Chicago Reader, November 22
Molina Ramírez, Tania, “Sonideros mexicanos crean comunidad transfronteriza virtual en EU: Ragland”, in La Jornada, México, October 22
Molina Ramírez, Tania, “Ser mixteco o purépecha ya no puede entenderse con una lógica territorial”, in La Jornada, México, October 21
Ambriz, Rodolfo, “El Cenart hace tocada sonidera”, in Excélsior, México, October 20
Muñoz Valdez, César, “Transitio_MX 02, segundo encuentro de artistas electrónicos en México”, in Diario La Razón, México, October 10
*Gordon, Dick, “Woven Together, Interview with Wilbur Quispe & Melanie Ebertz” (Translation Pedro Lasch), in The Story, American Public Radio, August 22, http://thestory.org/archive/Woven_Together.mp3/view
Stockton Moore, Cindy, “Gallerists Ready for Fall Shows & Moving Days”, in The New York Sun, August 6
Del Moral, Christian, “Los sonideros: tradición mexicana en NY”, in El Diario La Prensa (New York), May 18
Nadelman, Cynthia, “Primitivism Revisited”, in ARTnews, April, p.133
Melnyczenko, Laura, “Primitivism in the 21st century? Review of a Chelsea Exhibition”, in EXCHANGE: Journal of the Department of Anthropology, University of Chicago, Chicago, IL, March
Bratich, Jack, “Popular Secrecy and Occultural Studies”, in Cultural Studies, Vol.21, N°1, Taylor & Francis, January, pp. 42-58
Cotter, Holland, “PRIMITIVISM REVISITED: After the End of an Idea”, in The New York Times, January 19
2006 Rakowitz, Michael, “The Artists’ Artists - Pedro Lasch: Open Routines”, (Best Shows of 2006), in Art Forum, Dec
Das, Nanditha, “Staller Explores Art in Public Arena”, in Stony Brook Statesman, November 20
Fallon, Roberta, “Feel the Pain: Tears and tribulations at Temple Gallery”, in Philadelphia Weekly, November 15
Mayer, Mónica, “Arte, migración e identidad”, in El Universal, México, October 13
Houser, Craig, “Review of Pedro Lasch Solo Exhibition at Queens Museum of Art”, in Art Nexus, Issue #61 Jun-Aug
Beck, Jee-sook, “The Art of Memory and Navigation Across Asia”, in Hong-Hee Kim, Fever Variations: Gwangju Biennale 2006 Catalogue, Vol. I, Gwangju Biennale Foundation, pp 281-295.
Cardenas, Gil, “Visualizing Mexican Migration to the United States”, in CMD Working Paper, #06-04e, The Center for Migration and Development Working Paper Series, Princeton University, June
Rivera-Servera, Ramón, “Of Crucified Bodies and Superheroes: Migration Scenarios and Border Art,” in Malagamba Amelia, Caras Vemos, Corazones No Sabemos: Faces Seen, Hearts Unkown, Notre Dame: Snite Museum, University of Notre Dame, pp 70-102
Ozbolt, Alen, “Dnevnik j dnevnik / Diary j diary”, in Likovne Besede/Artwords, Issue #75/76, Summer,
pp 84-92
Beattie, Rich, “Immigrant Art Exhibitions: Insights of Passage”, in New York Times, May 19
Paredes, Julion, “Programa para Latinos en Queens”, in El Diario La Prensa, New York, May 14
Alvarado, Virginia, “Reseña: Exposición ‘Propia Visión’”, in Diario de México, Nueva York, April 18
Corresponsal, “Abren muestra fotográfica sobre vida de mexicanos en Nueva York”, in Milenio, Guadalajara, April 17
Corresponsal, “Retratan cómo viven sus tradiciones y sus costumbres los mexicanos en NY”, in Azteca 21 México, D.F., April 17
Paredes, Julio, “Un tributo a nuestra herencia”, in El Diario La Prensa, New York, April 16
Bonner, Paul, “Immigration rights marchers rally at Duke”, in The Herald-Sun, Raleigh, NC, April 10
Prix / Honors
2008 Mary Duke Biddle Foundation (In Support of ‘Black Mirror/Espejo Negro’)
The Estate of Bettie Ferrell (In Support of ‘Black Mirror/Espejo Negro’)
The North Carolina Arts Council (In Support of ‘Black Mirror/Espejo Negro’)
2007 The Joan Mitchell Painters & Sculptors Award
Franklin Humanities Institute Research Fund for Advisory Position in Seminar Spring Colloquium
Franklin Humanities Institute Seminar Fellowship: Recycle, Duke University. Two-course release subvention for Faculty’s Department
Latino/a Studies Research Fund for Community Liaison Position
2006 The Leaders of the Present Award. Asociación Tepeyac de New York, N.Y.
Lily Auchincloss Foundation, Inc. (In Support of Exhibition ‘Open Routines’ at Queens Museum of Art, NY).
Greenwall Foundation (In Support of ‘Open Routines’).
Jerome Foundation (In Support of ‘Open Routines’).
Andrew W. Mellon Research Travel Grant for work at The Tepoztlán Institute for Transnational History of the Americas Conference, Mexico. July. Center for Latin American & Caribbean Studies, Duke University.
2004 Ford Foundation Grant to the Queens Museum of Art. Advisor in the writing and implementation of the
youth pro gram Leadership Through the Arts.
2nd Dedalus Foundation Grant to Asociación Tepeyac de NY. Author of the arts program proposal, Art,
Story- Telling, and the Five Senses.
2003 Dedalus Foundation Grant to Asociación Tepeyac de NY. Author of the arts program proposal, Art, Story-
Telling, and the Five Senses.
Andrew W. Mellon Research Travel Grant for research project on Ulises Carrión in Mexico City.
Center for Latin American & Caribbean Studies, Duke University.
1999 Official Recommendation of Mexico City’s Commission of Art for Public Spaces (CAEP) to the
Government of the City for the execution of Una Propuesta Escultórica para el Zócalo. Mexico City,
Mexico.
Ruth Gutman Epstein Award in Sculpture, New York Artists Equity Association, New York.
1998 Howard Steinberg Award in Painting. The Cooper Union for the Advancement of Science and Art
New York.
95-99 Full Tuition Scholarship, The Cooper Union for the Advancement of Science and Art, New York.
